Leviathan: A Journal of Melville Studies

A bounty of scholarly articles, notes, reviews, and creative writing of a critical, theoretical, cultural, or historical nature on Herman Melville.

About the Journal

Our award-winning journal, published three times a year by Johns Hopkins University Press, features scholarly articles, notes, reviews, creative writing, interviews, and book reviews by established and younger scholars for an academic and wider public audience, domestic and international. Its “Extracts” section reports on Melville Society news and Melville-related events in each issue. Recent special issues of Leviathan have focused on Melville’s late writings; digital humanities analyses of Melville’s marginalia in Homer, Shakespeare, and Milton; new artistic responses to Moby-Dick, and the completion of the Northwestern-Newberry edition of The Writings of Herman Melville.

Leviathan is published by the Johns Hopkins University Press and is available online through Project Muse.


The Henry Murray Endowment, begun in 1990 with a donation by Henry Murray, provides minimal stipends for Leviathan’s editorial staff. Membership dues pay for only half of our publication costs. We seek additional funding to augment the Murray stipends and to cover production expenses.

Leviathan, 26.3
(October 2024)
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About the Current Issue

Leviathan 26.3 features a special issue on Melville’s Political Energies, guest-edited by Thomas Constantinesco, Ronan Ludot-Vlasak, and Édouard Marsoin, with essays by Lenora Warren on the ghost of Anacharsis Cloots, Peter W. Brown on the Clootsian body politic in The Confidence-Man, Kelly Ross on white oversight in “The Bell-Tower,” Geoffrey R. Kirsch on the corporate whale, Paul Downes on white light in Moby-Dick, and Elizabeth Duquette on tyranny in “Timoleon.” Michael Jonik reviews Ahab Unbound, edited by Meredith Farmer and Jonathan D. S. Schroeder, and Nicole Emanuel reviews Dayswork, by Chris Bachelder and Jennifer Habel. The Extracts section features Mary K. Bercaw Edwards’s All Astir and abstracts from the Melville Society panels at the American Literature Association chaired by David Greven and Peter Coviello.