Leviathan: A Journal of Melville Studies
A bounty of scholarly articles, notes, reviews, and creative writing of a critical, theoretical, cultural, or historical nature on Herman Melville.
About the Journal
Our award-winning journal, published three times a year by Johns Hopkins University Press, features scholarly articles, notes, reviews, creative writing, interviews, and book reviews by established and younger scholars for an academic and wider public audience, domestic and international. Its “Extracts” section reports on Melville Society news and Melville-related events in each issue. Recent special issues of Leviathan have focused on Melville’s late writings; digital humanities analyses of Melville’s marginalia in Homer, Shakespeare, and Milton; new artistic responses to Moby-Dick, and the completion of the Northwestern-Newberry edition of The Writings of Herman Melville.
Leviathan is published by the Johns Hopkins University Press and is available online through Project Muse.
The Henry Murray Endowment, begun in 1990 with a donation by Henry Murray, provides minimal stipends for Leviathan’s editorial staff. Membership dues pay for only half of our publication costs. We seek additional funding to augment the Murray stipends and to cover production expenses.
Leviathan, 26.2
(June 2024)
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About the Current Issue
Leviathan 26.2 includes essays by Christopher Bates on solar materialism in Billy Budd, Cody Marrs on religion at sea, and Robert Keim on proto-modernist dimensions to “Benito Cereno.” It also includes a special section on Melville’s hand, including pieces by Netanya Hitchcock on Melville’s erasures in Shakespeare, John Bryant on the Billy Budd manuscript, and Peter Norberg on Claude Fleury’s Ecclesiastical History. Ralph Savarese’s poem “Corsage” appears in this issue, and there are three book reviews: Josh Doty reviews Christopher Sten’s Melville’s Other Lives, Caitlin Smith reviews Jonathan A. Cook’s Neither Believer Nor Infidel, and Jeffrey Insko reviews Wyn Kelley’s and Christopher Ohge’s New Companion to Herman Melville. The Extracts section includes Mary K. Bercaw Edwards’s All Astir, a review of David Catlin’s Moby Dick in St. Louis by Brian Yothers, Steven Olsen-Smith’s Treasurer’s reports, and MLA abstracts from the panels organized by Ralph Savarese and Timothy Sweet.