Welcome

The Melville Society is dedicated to the study and appreciation of the nineteenth-century American author Herman Melville, writer of Typee, Moby-Dick, and Billy Budd, such short stories as “Bartleby” and “Benito Cereno,” and several volumes of poetry, including Battle-Pieces and the epic Clarel.

We publish the award-winning journal Leviathan and meet twice a year for fellowship and scholarly discourse at the annual conferences of the Modern Language Association and the American Literature Association.  We also sponsor International Conferences and tours every other year.

Membership and Donations

Membership in The Melville Society is open to all. For information about joining The Melville Society click here. If you want to make a special payment or if you are interested in donating to any of the various projects, endowments, and programs sponsored by The Melville Society, click here.

Events and Announcements

New York Conference Photo Album

First photos of the 12th International Melville Society conference are being posted to the Melville Society Flickr page. You can send your photos to our web editor at This email address is being protected from spambots. You need JavaScript enabled to view it.. Include names and descriptions if you can. Also, send names and descriptions you might have for photos that are already posted.

click image to see album

Call for Papers - ALSCW 2019 Conference
Association of Literary Scholars, Critics, and Writers
Twenty-Third Annual Conference
October 3-6, 2019 at The College of the Holy Cross
Worcester, Massachusetts

Deadline for proposals is June 1, 2019.

It is three weeks before the CFP deadline, and arrangements for the October conference are in full swing at Holy Cross. The CFP has been widely distributed. You can download the Call for Papers here.

Highlights for the 2019 ALSCW Annual Conference include: seventeen seminars and four plenary panels, with subjects ranging from classical to medieval to modern literature; poetry readings by A. E. Stallings, Major Jackson, and Rachel Hadas; a string quartet by Matthew Pinder; a banquet dinner; and much more.

Click here to visit the conference website.

Proposals of 300 words and a C.V. should be sent as email attachments to Lee Oser at <This email address is being protected from spambots. You need JavaScript enabled to view it. > and Ernest Suarez at <This email address is being protected from spambots. You need JavaScript enabled to view it.> on or before June 1, 2019.

One of the seventeen seminars, number 8 in the Call for Papers, titled "Melville at 200," is moderated by John Burt, Paul E. Prosswimmer Professor of American Literature, Brandeis University and Wyn Kelley, Senior Lecturer, Massachusetts Institute of Technology. The Call for Papers for this seminar reads:

2019 is Herman Melville’s Bicentennial year. This seminar will welcome papers on any aspectof Melville’s work. Here are some suggested areas of interest in which scholarship on Melville is already brewing: Melville as a critic and analyst of politics and culture (as a theorist of race, as a critic of literature, as a philosopher and critic of philosophies, as a religious thinker) Melville’s poetry (his poems and collections, is lyrics embedded in prose works, his long narrative Clarel, his sources, influences, and genres). Melville's Lies Circumstantial and Lies Direct (Claggart as the last and most flagrant of M’s many liars, confidence-men, unreliable narrators, or the self-deceived) Teaching and Reading Melville in the Digital Age (Digital Archives and Editing, Mapping and literary cartography, new spatial and temporal paradigms) Papers on other aspects of Melville’s work are encouraged. We seek to encourage a wide variety of approaches to the subject and to engage writers, critics, and teachers at all levels (university, college, and high school).

Now Available

Leviathan: A Journal of Melville Studies

Vol. 21 – No. 1

click to enlarge

The March 2019 issue of Leviathan (vol. 21, no. 1) is now available on Project Muse! This issue is the first of four special “Melville at 200” issues. Dues-paying members of The Melville Society who subscribe to the print edition should receive their copies in the mail soon. The issue features essays on “The New Art of Moby-Dick" by Elizabeth Schultz (including twenty color plates in the print edition along with numerous other images throughout the essay); Elizabeth S. Melville and the field formation of Melville studies, by Jordan Alexander Stein and Adam Fales; and “‘Bartleby’ on Speed” by Alex Benson. It also features a cycle of sonnets, “Of August,” by Wyn Kelley; Theo Davis’s review of One Foot in the Finite, by K. L. Evans; Robert J. Scholnick’s review of Herman Melville Among the Magazines, by Graham Thompson; Mary K. Bercaw Edwards’s review of The Sea and Nineteenth-Century Anglophone Literary Culture, edited by Steve Mentz and Martha Elena Rojas; and Mary K. Bercaw Edwards’s “All Astir,” Colin Dewey’s report on the Moby-Dick Marathon in San Francisco, and Ross Martin’s note on a portrait of Lemuel Shaw that he recently identified in the Extracts section. For information about subscribing to Leviathan, click here.

Lisbon Melville Conference
"Over Seas: Melville, Whitman and All the Intrepid Sailors"

University of Lisbon - Center for English Studies
July 3 – 5, 2019

Herman Melville (1819-1891), sailor and writer, plowed the ocean as a tablet to be read, gazing at the white page where unfathomable characters surface to the eyes of the puzzled reader. “Captain” Walt Whitman (1819-1892), on the other hand, writing “in cabin’d ships at sea,” broke open and passed the divide between in- and out-of-doors, as he urged his book to “speed on.” Both were born 200 years ago.

ULICES' Research Group in American Studies is pleased to announce the international conference and exhibition “Over_Seas: Melville, Whitman and All the Intrepid Sailors,” to be held on 3-5 July, 2019. We aim to foreground the international afterlife of both authors and their contribution to the interconnectedness between the arts, sciences, human philosophy and history, with a special focus on the imagination and memory of the oceans. In line with one of the group’s main axes of research, “(Re)imagining shared pasts over the sea and across borders: dialogue, reception and projections between the USA, the Americas, and Europe,” the title “Over_Seas” accommodates an eagerness to pore over the depths of wild and cultured nature(s), as well as the transatlantic and transnational dynamics that Melville, Whitman, and various writers on both sides of the Atlantic have helped to shape. In Portugal, the Atlantic will also be the subject of a special celebration in 2019, the 500th anniversary of Fernão de Magalhães’s circumnavigation voyage.

The events of our conference will take place at the School of Arts and Humanities of the University of Lisbon, the Portuguese National Library, and other public spaces devoted to cultural dissemination and to the promotion of the vital resources within our ocean(s).

This bicentennial celebration aims to bring together scholars with expertise not only in nineteenth- century American literature and culture, but also in areas related with the broader and interdisciplinary themes envisaged by the conference itself. Participation of junior researchers and students is especially welcome. Possible topics include:

Melville Conference

Co-hosted by the University of Lille and Paris-Diderot University (France)
October 17-18, 2019

Melville's Measures

"The measure! the measure!" cried Ahab.

Ahab’s exclamation notwithstanding, Moby-Dick more readily calls to mind the longing for the “unshored, haborless immensities” (ch. 32), “indefinite as God” (ch. 23), than down-to-earth measures taken to apprehend or comprehend “the ungraspable phantom of life” (ch. 1). Significantly enough, “if money’s to be the measurer,” Ahab’s doubloon is an ambivalent gold standard, at once the symbol of rampant capitalism that has transformed the world into a “great counting-house,” the effigy of Ahab’s sovereign self and a figure for Ishmael’s continual forging of symbols of his own coinage. Even as it bears the stamp of Ahab’s empire, the gold coin remains a source of numberless speculations for Ishmael. “The measure” is rife with ambiguities.

MLA Conference 2020
Seattle, WA - January 9-12

Melville, Gesture, Love

“Thus Spake Zarathustra,” writes Agamben, is “the ballet of a humanity that has lost its gestures.” Melville’s corpus, it may be imagined, presents a ballet of gestures in the felt absence (thus spake “Bartleby’s” flummoxed narrator) of humanity. Ahab and Pip, Vere and Billy Budd (for that matter, everyone and Billy), Ishmael and Queequeg, Pierre and Isabel: love circuits through Melville’s characters like an Emersonian force, illuminating what in Melvillean characterology seems least substantive, least persuasive. It is arguably love’s failure along characterological lines that may draw our attention to its constitutive gestures, the frequency with which it surfaces across Melville’s oeuvre as a specifically textual matter: figuratively jubilant, expressively incessant spume recalling Werner Hamacher’s definition of gesture as “what remains of language after meaning is withdrawn from it,” or Roland Barthes’s understanding of gesture as a “quantum of phantasmatic brilliance, of desire, or of pleasure.” This Melville Society panel is envisioned as an opportunity for reconsidering both the contours and qualities of love’s gestures and our own love, as critics and theorists, of the gesture. After all, the concept of gesture has for some time gestured toward something strange and strangely alive at the heart of Melville’s enterprise—this isn’t unfamiliar terrain, and yet the term’s tenacity and continued salience suggests that Melvillean gesture (or our relation to it) has not yet fully done its office. How might the unfixed relation of these terms speak to the historical haunting of Battle-Pieces, to Clarel’s experiments in fidelity and scale, to the antiquary geology of “The Encantadas”? Or only somewhat more straightforwardly, the sumptuous queerness of Melville’s attachment to Hawthorne, not to mention the sumptuousness of what Newton Arvin describes as Melville’s “love of rare adjectives.”

Visit Our Media Pages

Featuring Videos from Our International Conferences and a Poetry Reading by Gordon Poole

Tim Marr reading from Clarel at Mar Saba

Gordon Poole reading "In a Bye-Canal," a poem from the "Fruit of Travel Long Ago" section of  Timoleon

Neapolitan Folk Songs and Dances at the Eighth International Melville Conference, Rome, June 2011. 

Photo Gallery of the June 2017 London Conference on Flickr

Thanks to the photographers and participants in 11th International Conference in London last June
for sharing their memories and photos. 

Click in the menu above to view the "Photos" page for a gallery of photos from the London 2017 conference.

Or click here or on the photo below to view the London 2017 album in the Melville Society Flickr gallery

Colin Dewey giving closing remarks
Balliol College, Oxford.